Chapter 1: The Day, 9/11

Every Picture Tells A Story

Satan in the Smoke, ©Mark D Phillips

It’s called Satan in the Smoke, or Face in the Smoke depending on your religious beliefs.

One frame of photography that became the most famous moment of my career and the end of my career.

BY MARK D PHILLIPS

      CHAPTER 1: THE DAY, 9/11

Twin Towers Sailors Delight

My memories start with a gasp and a scream from the back of the house where Andrea was getting ready. “Mark, come see this now!” Andrea shouted.

The picture on the television screen was one no one ever dreamed could happen. The Today Show was broadcasting live footage of the World Trade Center’s north tower on fire. The impossible was underway.

Instincts took over. Not even waiting for an explanation, I ran from the room, grabbed two cameras, and went to the roof of my home in Carroll Gardens, Brooklyn. Living just three miles from lower Manhattan, I had photographed the Trade Center Towers hundreds of times, and many times from the deck atop my house.

As I raised the hatch to climb out on the roof, I heard the loudest explosion in my memory. Looking toward the city, smoke and flames were billowing from both towers. I immediately raised my digital Olympus E-10 camera and took the first photo. THE PHOTO.

Smoke was billowing from the towers. It filled the sky spreading into a huge plume. It looked like two chimney stacks belching smoke from lower Manhattan. Sirens were wailing everywhere. All I could think about was the fact that the buildings were burning.

More and more people began appearing on the rooftops. Neighbors across the street shouted to me from their rooftop. “Did I see the second plane fly into the building?”

At that point, I didn’t even now what had caused the huge explosion I heard as I came onto the roof. I really had no idea. Terrorism? It hadn’t even registered as such.

I switched cameras and began shooting color negative film with a long telephoto lens. The frightening details came closer into focus. Police helicopters circled the buildings. Later I would learn the details of what I was seeing. The number of people dying during every frame of film was staggering.

Richard Pyle, a writer for The Associated Press, lived directly behind me. He was on the phone with his office in Rockefeller Center, feeding them first person coverage of what he witnessed from Brooklyn. He told them that I was shooting photographs from my rooftop.

“Barbara Woike wants to talk to you!” Pyle shouted.

“Have her call me. I’m on my way back downstairs.”

I was well known in the Photography division at The Associated Press. When I moved to New York in 1989, I immediately started freelancing for the AP, becoming a staff photographer in 1990. Barbara Woike, the editor on duty, had worked with me during that time along with Pyle. We were friends.

Barbara was on the phone when I entered my apartment. I slipped the smart media card from my digital camera into my Macintosh laptop, opened the first photo on the card, the first photo taken from the roof.

“I have a really good image ready to go,” I said to Barbara. She said to send as many as I could. The time was 9:35 am.

When we hung up, I accessed the Internet, and began transmitting. I had not noticed anything out of the ordinary viewing the photograph on my laptop. AP also noticed nothing unusual as they sent the photo out worldwide as NY142.

While I continued to send out photographs, the World Trade Center, the shining glory of lower Manhattan, collapsed to the ground. Running back up to the roof, nothing but smoke and dust was visible. The buildings of Manhattan were completely obscured by the cloud heading toward Brooklyn.

I sat down on the roof and cried.

The next afternoon, my photo agent, Kevin Kushel of SLPstock, called me and said, “You know you have a face in your photo. In the smoke.”

My immediate response was “Yea, sure.”

Kushel said, “I’m going to crop it out and e-mail it back to you.”

It was the end of a horrible two days and the last thing I expected to hear.

I had walked from my home to office to transmit photographs. Ash was falling like a nuclear winter on our neighborhood. Andrea had picked up letterhead from World Trade Center companies and burned business cards from individuals off our outdoor deck. We had no idea if the people named on the documents were alive or dead.

To my surprise, when I logged on, there were over 150 messages.

One of the first was from Kevin. I opened the attachment. My first reaction was ‘What the hell is that?’ Then I actually began to shake while I opened the original file to see if it was really there.

It was in the original file.

Another e-mail had the front page of The News Journal in Wilmington, Delaware, attached to it. The face was huge. It began to dominate the image. I could not look at the photograph without immediately seeing “the face.”

As I opened more of the e-mails, I was struck by their message. More and more of them just asked, “Is it Real?” I didn’t know how to respond.

Andrea was covering the disaster for the New York Post. When she returned from the devastation of Ground Zero, her reaction was the same as mine, incredulousness.

“What is that image?” headlined The Saginaw News on September 13, 2001, with a story by Bryce Hoffman, as they tried to explain the photograph to their readers. Hoffman wrote,

A front-page photograph on more than 13,000 copies of Tuesday’s Saginaw News has prompted some to believe that Satan himself presided over terrorist attacks on the United States.

The image dominated the front page in the fourth and fifth editions of The News — about one-fifth of the 56,535 newspapers printed in six editions that day.

“It popped right out at me,” said 17-year-old Brad Witt of Merrill. “It’s apparently the face of a demon or the devil. There’s nothing else that it could be. I’ve never seen anything like that before.”

Witt was among scores of people who called to inquire whether staff members altered the photograph (they did not) or to ask for reprints.

I now understood what was fueling my email and visitors to my website. As I read Bryce Hoffman’s story, and looked at emails, I began to see that every person was perceiving what they wanted to see in my photograph.

Saginaw News Editor Paul Chaffee, who made the decision to print the image on 18,000 front pages, told Hoffman, “I wanted to ignore (concern over the photograph) because I did not want to trivialize an incomprehensibly tragic event, but I don’t think I can anymore. we’re getting all kinds of calls.”

Hoffman, in his story, included a skeptic, a convert on seeing the image, and a Lutheran pastor who he quoted as saying, “We certainly see Satan’s work in the events (Tuesday), if not in the picture.”

The convert was the one who copied my own reaction as Bryce Hoffman wrote:

Morley Glicken, program director of the department of social work at Central Michigan University and an expert on the psychology of grief, at first offered a similar explanation.

He retracted his remarks within seconds of seeing the picture for himself.

“It’s disturbing,” he said. “It could be just an optical illusion or it could have broader meaning. I’m sort of caught between being rational about it and being concerned about what I saw.”

My photograph felt like a diversion to the horror of what we witnessed. Now I was realizing that everyone was looking for a rational explanation of why anyone would fly planes into the World Trade Center. My image contained what most religions depict as the devil. How it ended up being contained in the first picture I took of the worst day of my life, is impossible to explain.

Media requests started appearing in my email inbox. Radio talk shows, our generations podcasts, began requesting drive time call-ins, so they could hear a first-person description of my photograph. They all wanted to make it about religion, I always turned it to the horror of the day. I will never forget Mayor Rudy Giuliani saying, “The number of casualties will be more than most of us can bear.”

Each day, we learned more of the devastating stories. The Brooklyn Heights promenade with its spectacular view of Manhattan, was now a memorial. Photos of missing loved ones were taped along the wrought iron fence, like a billboard of sadness, while candles flickered beneath, their light inconsequential to the cloud rising from across the river.

AP National Writer Jerry Schwartz wrote in one of the first dispatches during the attack, “Emergency vehicles flooded into lower Manhattan. No one knew what happened; the towers, target of a terrorist bombing in 1993, seemed to be ground zero once again.” The Poynter Institute credits this sentence with the designation as Ground Zero. It would never again be the site of the Twin Towers. Just like that, they were gone.

 

Brooklyn Heights Promenade is covered with candles the nights after the 9/11 attacks as smoke rises from the World Trade Center site in lower Manhattan. ©Mark D Phillips

“IS IT REAL?” Satan In The Smoke, 9/11 by Mark D Phillip

Introduction/Forward

Chapter 1: THE DAY, 9/11
Chapter 2 – Is Seeing Believing?

Chapter 3 – The Religion